Athlete activist Mia Ives-Rublee spreading ‘disability pride’

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With her tiny frame perched atop her wheelchair and her service dog at her side, activist Mia Ives-Rublee deftly maneuvers through a restaurant brimming with a busy lunch crowd. She is adept at making space for herself in a world that hasn’t always been welcoming.

She proved that point on a national scale last weekend, leading the Disability Caucus of the Women’s March on Washington.

Ives-Rublee was born with osteogenesis imperfecta, commonly known as brittle bone disease. It’s a genetic mutation that leaves bones extremely fragile, prone to breaks and fractures.

She recalls how growing up in Greensboro, surrounded by adults worried about her health, there wasn’t much room in her life for childhood dreams and ambitions.

“When you grow up with a disability, a lot of times you’re told by a lot of adults and professionals about what you can’t do,” she said. “That made it very hard for me to figure out what I wanted to do.”

A trip to the 1996 Paralympics in Atlanta helped change that.

“I saw people, everyday people, just getting along with their lives, maneuvering the city and interacting with each other,” Ives-Rublee said. “That really opened my eyes, and my family’s eyes, to this whole group of people that have a community, and have a sense of self and identity, even a sense of disability pride.”

That experience broadened her horizons. She was inspired to pursue adaptive athletics, and as she grew physically stronger, she gained more confidence and greater independence.

She went on to compete internationally in wheelchair track and field, fencing and cross-fit events, all while pursuing undergraduate and graduate degrees in sociology and social work.

Now at 32, she works as a research assistant at UNC, enjoying a level of independence and self-determination her parents and doctors never thought possible.

She still trains regularly and also works as a coach, teaching others about adaptive athletics. It was through this process of reaching out to people living with disabilities that she found her focus shifting from personal achievement to political activism.

“For a long time I wanted to disassociate and show people I wasn’t disabled,” Ives-Rublee said. “As I grew more independent and more self-aware, I started to get more involved in the disability community. It’s been a slow transition. Becoming more connected with disability rights advocates changed my outlook and what I’m passionate about.”

She shied away from advocacy in the past for fear of being pigeon-holed. Now she wants to take a more active role in developing public policy that guarantees equal rights for disabled people.

“I’ve come to the realization that other people aren’t going to fight for us,” she said.

Increasingly, Ives-Rublee sees the need to bring disability issues to greater prominence in the progressive movement. When she heard about the Women’s March on Washington, she reached out to the organizers to make sure the march would be accessible and inclusive.

“For a long time, people with disabilities have had a hard time accessing these mainstream marches,” she said. “My thought process was, if we can create a caucus, a group of individuals who are vocal, who are active, to then talk to national (organizers) about our concerns and our issues, then maybe we can get somewhere.”

Continue onto The News & Observer to read the complete article.

Barbara Gordon Will Use a Wheelchair Again Sometimes in Batgirls

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Barbara Gordon Will Use a Wheelchair Again Sometimes in Batgirls.

By Jude Terror, Bleeding Cool

Batgirls launches from DC Comics in December, a new series by Becky Cloonan, Michael W. Conrad, and Jorge Corona starring, as the title implies, Stephanie Brown, Cassandra Cain, and Barbara Gordon. Cloonan and Conrad did a promotional interview for DC’s website last weekend where they debuted plans to have Barbara begin using a cane and a wheelchair again. Not all the time, but sometimes. According to Cloonan, showing Gordon “in a chair again” was one of the things they pushed for when asked to work on the book. “She’s just going to have some days where she needs to use it,” Cloonan said.

Here’s what Cloonan and Conrad had to say about addressing Barbara’s “relationship with mobility and disability” in Batgirls:

BC: We are addressing it, I think, pretty head-on. Right now, Barbara has a chip in her back that allows her to walk again. But in our book, she has off days. She’s got bad days. So, we’ll see her using a cane. She does use a wheelchair occasionally. She’s got days when she’s just spending some time under her desk rearranging all the cables, you know? And I think anyone would want to spend the rest of the day sitting down. So, I think it’s just natural. We don’t make a huge deal of it because it’s such a big part of her character and her history. It’s not like we want to beat readers over the head with this idea. But at the same time, we want to show that it’s still part of her character. She is still disabled, even if she doesn’t always look like it all the time. She can walk around, but it’s still a part of her.

MWC: And we love that she’s become an icon for this community. It’s a community that we really want to serve. We’re going to do so to our greatest ability, without necessarily creating a different character entirely in our book. We can’t have her running and jumping through, I don’t know, ventilation shafts of whatever in one book, and then in our book have her be a representation of someone with different mobility skills. It’s just a continuity issue.

That said, I’ve got a past in working with people who have mobility challenges. And, like Becky said, it doesn’t always present in a way that becomes central to a character, and it shouldn’t be. It should be that the central thing going on here is this awesome character and her great personality, and then if we can also show her physical norm is different from maybe your physical norm, then great. And if it’s something that people can identify with and feel empowered by, we would love that.

BC: Yeah, and that’s what we’re really here to do. When we first got asked to work on Batgirls, one of the things we pushed for was, “Hey, we want to show Babs in a chair again, but she’s just going to have some days where she needs to use it, you know?” It’s such an integral part of her.

The writers also preemptively responded to criticism that the representation will be “half-assed.”

MWC: And we don’t want to make it feel like, “Oh, here’s like a half-assed representation of something.” Or, “Here’s an afterthought of what this particular modality can look like.” It’s really coming from the most genuine place that we have. It’s coming from a place of fandom of the character, her various iterations, and also of our great love for the fact that people have seen something there that looks like them. That feels like their life on a comic book page. We want to maintain that. We want to strengthen that moving forward.

BC: We don’t want to think that we’ve taken something away from people. We’re here to make people feel good, and we want to make a book that makes people feel good. And that’s a big part of it.

Batgirls #1 is out on December 14th. Read a preview below.

Click here to read the full article on Bleeding Cool.

The Tourette’s community is livid over the ‘TikTok tics’ media frenzy

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The Tourette’s community is livid over the ‘TikTok tics’ media frenzy

By Jessica Lucas, Input

Last month, a Wall Street Journal article titled “Teen Girls Are Developing Tics. Doctors Say TikTok Could Be a Factor” went viral on social media.

The piece reported a rise in young women presenting with symptoms of Tourette syndrome, a widely misunderstood neurological disorder that impacts roughly 0.6 percent of children and causes people to experience tics — involuntary and repetitive movements or sounds.

The Journal cited “a spate of recent medical journal articles,” in which doctors claim many girls with unexplained tics “had been watching videos of TikTok influencers who said they had Tourette syndrome.” The piece, which featured two teenage girls who linked their tics to TikTok, said that pediatric movement-disorder centers across the U.S. had reported “an influx of teen girls with similar tics.”

“PEOPLE automatically think we’re doing things for ATTENTION, or that there’s NO WAY that Tourette syndrome can be REAL.”
The article acknowledged that the “TikTok tics” epidemic was anecdotal and even quoted an academic who cast doubt on TikTok being the root cause of this phenomenon. “There are some kids who watch social media and develop tics and some who don’t have any access to social media and develop tics,” Dr. Joseph McGuire of Johns Hopkins University Tourette’s Center told the paper. “I think there are a lot of contributing factors, including anxiety, depression, and stress.”

But the headline was damaging enough. And it was worsened by subsequent coverage: Buzzfeed, the New York Post, People, and Business Insider ran with the story — all without any input from the Tourette’s community itself, which has been horrified by the press frenzy.

Ben Brown, host of the Tourette’s Podcast, has been deeply perturbed, as have his listeners. “There’s a lot of frustration. Some people are just livid,” says Brown, who is 41 and based in North Carolina. He was diagnosed with Tourette syndrome at the age of five, but lived a “closeted” life with the condition while he worked as a photojournalist. Brown “came out” with Tourette’s when he launched his podcast in 2018.

“Now we have scientists who are saying things we know from experience are just not safe,” Brown says. He and many others living with Tourette syndrome fear the current rhetoric around TikTok tics could further stigmatize Tourette’s, especially for young women.

Britney Wolf is a 31-year-old Tourette’s campaigner from Ohio. “People automatically think we’re doing things for attention, or that there’s no way that Tourette syndrome can be real,” says Wolf, who was diagnosed with Tourette’s at the age of seven. She interviews people with the condition on her YouTube channel in a bid to challenge stereotypes. “There’s already so many of these people trying to tear us down,” she says, “and articles like this give them more fuel to start claiming that all advocates are faking it.”

Jaleesa Jenkins, a 24-year-old Tourette’s YouTuber from California, is most frustrated by the suggestion that Tourette-like symptoms can be “caught” through platforms like TikTok. “The idea is really oversimplified and really stigmatizing,” she says. “It’s just not true. It makes people afraid, suspicious, or scared to be around us.”

It seems that the recent press attention has undone years of campaigning. “People with Tourette syndrome have worked hard for a very long time to feel understood — particularly for people to understand that tics aren’t voluntary or done for attention,” says Dr. Christine Conelea. The clinical practitioner and researcher is an assistant professor of the Department of Psychiatry and Behavioral Sciences at the University of Minnesota and has worked with Tourette’s patients for 15 years. “I worry that those who are doing advocacy on social media spaces will be questioned and targeted.”

Wolf finds the situation heartbreaking. “So many people have told me how much they have learned about Tourette’s because of people online,” she says. “It felt like we were finally getting somewhere. Now it feels like we’re being pulled back.”

Click here to read the full article on Input.

Next Big Thing: ‘Eternals’ Star Lauren Ridloff on Becoming Marvel’s First Deaf Superhero

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“I’m hoping that more people are going to be able to dream bigger,” says Lauren Ridloff of playing the first deaf superhero in a Marvel film. COURTESY OF ERIK CARTER

BY ABBEY WHITE, The Hollywood Reporter.

Being a superhero wasn’t part of Lauren Ridloff’s plan. The Eternals star wanted to be a children’s book author before an American Sign Language tutoring gig for the director of Broadway’s Children of a Lesser God led to a starring role in the show’s revival.

Theater, she says, is a “much more natural and inviting medium for deaf actors,” and the production came fully staffed with a toolbox ready to support its deaf and hearing artists. But coming off that critically praised performance in 2018, Ridloff wasn’t sure she wanted to keep acting. TV and movies weren’t a place she had seen herself represented growing up, instilling the idea that it couldn’t be part of her dream.

Yet, after scoring The Walking Dead as her first TV role, Ridloff found herself in demand. Now, she’s set to star in the Chloé Zhao-directed Marvel movie that will take her and deaf representation to marvelous new heights when it releases on Nov. 5.

During her transition from stage to screen, Ridloff says she’s felt like she wanted to prove she’s easy to work with, something that has led to her not always advocating for what she needed as an actor. But being on this massive Marvel production full of A-listers who “know exactly what they want” helped change her outlook.

Ahead of The Eternals’ anticipated release, The Hollywood Reporter spoke to Ridloff about her journey from stage to screen, how working on a blockbuster as an emerging actor changed her perception of self-advocacy on set, and why the Eternals cast wasn’t sure what to expect in the final cut.

Your journey to acting was a bit of being in the right place at the right time. Before that Broadway break-out, what were your acting ambitions and how have those changed?

My goal growing up was to write a book. That’s why I studied English and creative writing in college, and that is a big reason I started teaching. I wanted to write children’s books. I felt that the best way to understand how a child thinks in their mind is to be with them all day. So I started teaching because of that. I didn’t dream of acting. I didn’t want to pursue acting. I had some acting experience — your basic high school play, or I was a part of a performance group in college, a dance group. I just didn’t see enough people on the screen like myself. Every once in a while, like maybe Marlee Matlin, I saw on the big screen, and then years went by, and you would see somebody appear on one episode of a TV show or another episode there. Acting on Broadway came so completely as a surprise to me. It wasn’t part of my plan.

And, yes, absolutely, my goals have changed since I’ve gotten into acting. When I was on Broadway, my manager was interested in pursuing and looking for other projects, and I told him to then I didn’t know if I wanted to continue acting. Maybe this was just a one-time thing. I wasn’t even sure if it was my thing. But then, when I saw the theater audience full night after night, and I saw the lines forming at the back door, I realized that my classroom just got a lot bigger. I made a bigger impact here. It seems like I can act, and I enjoy the opportunity to fully immerse myself in a character, which is very connected to reading and writing. When you write, you need to drop into that character and how it represents itself on the page. So I felt like it was a very natural leap into acting because of that.

Click here to read the full article on The Hollywood Reporter.

Amy Purdy–Living Beyond Limits

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Amy Prdy collage of images including snowboarding and dancing witht he stars

By Brady Rhoades

If you were to read Amy Purdy’s medical history, you’d be introduced to a journey that, for many, could feel incredibly daunting.

If you were to check out her accomplishments as a snowboarding champion, a renowned motivational speaker, a dancer, an actress, a model, a podcaster, a New York Times bestselling author and a philanthropist, you’d be introduced to her toughness and will.

And if you watched her shredding the slopes on her way to medaling in the Paralympics or ball-rooming her way into America’s hearts on “Dancing with the Stars,” you’d start to see the big picture.

Purdy’s mantra? “Live beyond limits.”

“Live beyond limits became my mantra very organically. I personally never liked being told what I could or couldn’t do,” said Purdy, 41. “I always wanted to figure out what the possibilities were. Snowboarding, for example, felt impossible at first, and I could have just walked away but I got creative, made my own feet and figured out a way to not just do it again but to excel at it. I’m so grateful that I never gave up.”

The Fight of Her Life

Amy Purdy dancing with Derek Hough in front of live audience outside
Adaptive snowboarder, Paralympian, motivational speaker and actress Amy Purdy poses for a portrait while snowboarding. (Photo by Matthew Stockman/Getty Images)

Born in Las Vegas in 1979, Purdy was just 19 years old when she contracted bacterial meningitis. She was given a two percent chance to survive. She lost both of her legs below the knees, lost both of her kidneys and her spleen (she later received a kidney transplant from her father).

Purdy met the challenge head-on, weathering unthinkable surgeries and rehab, teaming with medical experts, designing her own prosthetic feet and legs (through trial and error, sometimes with chunks of wood) and never losing sight of her goals.

“There’s always going to be something preventing you from your goal, whether it’s a loss of legs or anything else, but you’ll never be happy if you surrender to circumstances,” she said.

Purdy’s immediate goal after her initial diagnosis was to snowboard again. After getting prosthetic legs, she achieved that. It turned out to be the start of big things.

Purdy eventually won a bronze medal in snowboarding at the 2014 Paralympics and a silver in 2018. She formed a non-profit organization — Adaptive Action Sports — along with her husband, Daniel Gale, who is also a competitive snowboarder, to get snowboarding included in the Paralympics. Adaptive Action Sports, a chapter of Disabled Sports USA, targets those with physical disabilities who want to get involved in action sports (snowboarding, skateboarding, surfing). Their organization, founded in 2005, also trains athletes with physical disabilities to qualify for the U. S. Snowboard Team. Purdy believes part of her mission is helping others with health challenges.

Amy Purdy snowboarding
Adaptive snowboarder, Paralympian, motivational speaker and actress Amy Purdy snowboards at Arapahoe Basin. (Photo by Matthew Stockman/Getty Images)
“It was an evolution from losing my legs, relearning to snowboard, helping others learn to snowboard and finally getting it into the Games.”

Purdy began snowboarding seven months after she received her prosthetic legs. About a year after her legs were amputated, she finished third in a snowboarding competition at Mammoth Mountain.

On Her Own Two Feet

In 2003, Purdy was recruited by the Challenged Athletes Foundation (CAF) as a spokesperson. At the time, she didn’t live far from the CAF headquarters, as she and Daniel had moved back to San Diego to pursue surfing.

In San Diego, she continued her pre-amputee profession as a massage therapist. She also started working for Freedom Innovations, a prosthetic feet manufacturer, as its Amputee Advocate.

On top of all that, Purdy has numerous television and film credits. In 2012, Purdy and her now husband Daniel Gale participated on the 21st season of The Amazing Race.

After nearly winning the first leg of the race, they were the second team eliminated and finished in 10th place out of 11 teams.

In 2014, Purdy was a contestant on “Dancing with the Stars.” Paired with five-time champion Derek Hough, Purdy was the first double amputee contestant to ever appear on the show. Hough was, at the time, fresh from winning his fifth Mirrorball trophy and did not plan on coming back to the show.

Amy Purdy signs copies of On My Own Two Feet at Bookends Bookstore
Amy Purdy signs copies of On My Own Two Feet at Bookends Bookstore. (Photo by Dave Kotinsky/Getty Images)
However, he changed his mind when Purdy joined the show as a contestant. Purdy wowed judges from the get-go, and kept improving. She never received a score lower than 8. She received her first perfect score (40 out of 40) for her eighth dance, the Argentine tango, after having an intense back injury the week prior. She eventually made it the finale, where she finished as a runner-up to Olympic gold medalist Meryl Davis.

In 2015, Purdy was featured in a Super Bowl advertisement for the Toyota Camry. The ad showed Purdy snowboarding, dancing and adjusting her prosthetic legs to a voiceover of Muhammad Ali’s “How Great I Am” speech.

Purdy has penned a memoir titled, On My Own Two Feet: From Losing My Legs to Learning the Dance of Life (HarperCollins), created a podcast (“Bouncing Forward”) and carved out a lucrative and inspirational career as a motivational speaker.

Among her accolades, along with two Paralympic medals, are being named one of ESPNW’s Impact 25 and one of Oprah’s SuperSoul 100 visionaries and influential leaders.

Purdy says that healing is never a linear process; it’s full of ups, downs, twists, turns, setbacks, victories.

And it’s lifelong.

Moving Forward

After experiencing medical setbacks — including an injury to her popliteal artery — in 2019, Purdy has undergone 10 more surgeries, including amputation revisions on her left leg.

“Phase one of my journey was all the surgeries and trying to find stability with the injury and phase two is getting legs that I can live comfortably in,” she said of her latest plight. “Once they are comfortable, then I’ll be able to snowboard again.”

Amy Purdy poses with her husband
Daniel Gale (L) and his wife, paralympic athlete Amy Purdy, attend the 2016 NASCAR Sprint Cup Series Awards. (Photo by Ethan Miller/Getty Images)

Meantime, she continues to move forward on myriad other projects. She continues, in other words, to live beyond limits.

“I’m currently excited to be planning the second season of my podcast “Bouncing Forward,” and I’m always looking for new ways to help others live their possibilities,” she said.

“I have a handful of projects I’m working on in TV that I can’t talk about yet and some that are online. With COVID, I went from doing many live speeches to doing virtual speeches, which has been fantastic, although I want to go to even a deeper and more immersive experience with my community.

I’ve been so grateful to connect with so many amazing people in real life and on social media that I’m really inspired to create ways to connect even deeper.

That’s what life is about: living, learning and growing, and helping others do the same.”

Click here to read the article in the digital magazine.

Poignant new film, “Language Arts,” reflects a reality for the parents of people with autism that is infrequently told

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Language Arts movie poster showing a dad with a suitcase and a mom holding her young son in her arms

Cornelia Duryée’s ‘Heartfelt and Sensitively Drawn’ film Language Arts, starring Ashley Zukerman & Sarah Shahi, takes viewers on a powerful journey of connection and redemption.

A student project abruptly forces an emotionally stunted high school English teacher to confront his demons—past and present—taking him on a powerful journey of connection and redemption in Language Arts, available now On Demand.

A poignant family drama that connects us all in the universal need to love and be loved, Language Arts is now streaming in the U.S. and Canada on Apple TV, iTunes, Microsoft, Prime Video, Spectrum, Vimeo and VUDU; and is coming soon on Google Play and YouTube.

Starring Ashley Zukerman (the upcoming Dan Brown’s The Lost Symbol, Fear Street, Succession, A Teacher), Sarah Shahi (the upcoming Black Adam, Sex/Life, The Rookie, Person of Interest, The L Word, Fairly Legal, Alias), Elliott Smith (Confess, Popstar: Never Stop Never Stopping) and Lincoln Lambert (Witch’s Castle, Modern Farmer).

Based on the novel by best-selling author Stephanie Kallos (Broken for You), Language Arts was written and directed by Cornelia Duryée (West of Redemption, The Dark Horse, Camilla Dickinson), whose youngest son—who makes a cameo appearance in the film—falls on the autism spectrum. Parenting her son has given her a unique perspective on her adaptation of the novel and her direction of the film.

Britain’s Manchester Film Festival (MANIFF) called the film a “heartfelt and sensitively drawn drama,” adding that “the story of Language Arts is touching on its own, but the treatment it receives in this adaptation elevates it into something deeply moving.

In Language Arts

High school English teacher Charles Marlow (Ashley Zukerman; Young Charles, Elliott Smith) has spent decades shrinking from life, hiding away from the disappointments that have trailed him; regretful over a profound tragedy in his past.

When one of his students, Romy (Aishe Keita), proposes a photojournalism project documenting collaborations between autistic youth and senior dementia patients, Charles tailspins into the past, confronting the mistakes of his youth and struggling to reconnect with his own autistic son, Cody (Kieran Walton) and his ex-wife, Allison (Sarah Shahi). Their marriage shattered from the stress of raising a special needs child and Charles’ inability to reveal himself.

As Charles remembers an unlikely friendship with a boy in a white suit (Lincoln Lambert as Dana), who inscribed his troubled childhood with both solace and sorrow, he is forced to confront the actions and inactions that have shaped his life. Will Charles be able to release the regrets of his past in time to be a part of his family’s future?

WATCH THE TRAILER!

Family Drama.  Not Rated (Some Mature Themes).  Run Time: 127 Minutes.

From Kairos Productions and Gravitas Ventures, Language Arts was directed by Cornelia Duryée from a screenplay by Cornelia Duryée, based on the novel by Stephanie Kallos. Director of Photography was Alisa Tyrrill. Casting by Richard Pagano. Music by BC Smith. Produced by Larry Estes, p.g.a. (Smoke Signals). Co-producer is Randy Suhr. Executive Producers are Rich Cowan and Stephanie Kallos.

About Kairos Productions:
Kairos Productions is a leading independent production company based in Seattle, Washington, that aims to enrich the world through redemptive storytelling. Kairos develops original content such as The Dark HorseWest of Redemption and Portal Runner; adapted content such as Camilla Dickinson and Language Arts; and collaborates with other production partners to create unique stories, such as JourneyQuest. For more information, visit http://www.kairos-productions.com or follow us on Facebook @kairosseattle or Twitter @KairosFilm.

About Gravitas Ventures:

Gravitas Ventures, a Red Arrow Studios company, is a leading all rights distributor of independent feature films and documentaries. Founded in 2006, Gravitas connects independent filmmakers and producers with distribution opportunities across the globe. Working with talented directors and producers, Gravitas Ventures has distributed thousands of films into over a hundred million homes in North America – over one billion homes worldwide. Recent releases include Queen Bees directed by Michael Lembeck; Our Friend directed by Gabriela Cowperthwaite, starring Casey Affleck, Dakota Johnson and Jason Segel; Vanguard, directed by Stanley Tong and starring Jackie Chan; The Secret: Dare to Dream, directed by Andy Tennant and starring Katie Holmes; End of Sentence starring Logan Lerman and John Hawkes; Looks that Kill; TreadLoopers: The Caddie’s Long Walk, narrated by Bill Murray; and Colin Hanks’ All Things Must Pass. For more information, please visit https://gravitasventures.com and follow @GravitasVOD on Twitter and @gravitasventures on Instagram.

About Red Arrow Studios:
Red Arrow Studios is one of the world’s leading creators and distributors of entertainment content, comprised of an acclaimed network of international production companies and labels in seven territories; world-leading digital studio, Studio71, based in six countries; and global film and TV distributors Red Arrow Studios International and Gravitas Ventures. The group’s significant output includes scripted, non-scripted and formatted content and IP, from TV and film to short-form and branded content, made for an array of global networks and platforms. Red Arrow Studios is part of ProSiebenSat.1 Media SE, one of Europe’s leading media groups.  https://redarrowstudios.com

Instagram Knows Just How Damaging It Is for Teen Girls

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Instagram Knows Just How Damaging It Is for Teen Girls

By , The Cut

For several months now, Facebook execs have been kicking around an eerie product idea few people seem to want: Instagram for Kids. Given the negative mental-health outcomes the app’s youngest users already report, lots of parents, lawmakers, and almost all the nation’s attorneys general have lobbied the company to please not. Nonetheless, Facebook persists — the youths are a lucrative market! — even though its own research reportedly confirms that for teens, Instagram outpaces other social-media platforms when it comes to fostering feelings of anxiety, depression, and body dysmorphia.

“We make body image issues worse for one in three teen girls,” reads a slide from a 2019 presentation of corporate data, according to The Wall Street Journal. Apparently, Facebook has been investigating these topics for about three years, and the findings have painted a bleak picture. “Teens blame Instagram for increases in the rate of anxiety and depression,” another slide stated. “This reaction was unprompted and consistent across all groups.” Numbers from 2020 indicated the same: “32 percent of teen girls said that when they felt bad about their bodies, Instagram made them feel worse …Comparisons on Instagram can change how young women view and describe themselves.” Among teens who reported experiencing suicidal thoughts, 6 percent of U.S. users and 13 percent of U.K. users attributed ideation to Instagram.

The Journal reports that about 40 percent of Instagram users clock in under 22, and that about 22 million teens use the app daily. For this group, corporate research suggests that Instagram poses a unique problem in terms of social comparison, or the tendency to measure oneself against the standard set by other people’s posts. While TikTok leans on performance and Snapchat promotes cartoonish filters, Instagram is where people go to document their best moments, often edited for maximum impact. Then in comes the algorithm, the same villain that may have led you to believe everyone went to Greece without you this summer: Similar to TikTok, it notices what content engages you and for how long, then tailors your Explore page accordingly. The Journal identifies this feature as a uniquely damaging Instagram feature: One 18-year-old who spoke to the paper said she developed an eating disorder after falling into fitness wormholes every time she opened the app. “When I went on Instagram, all I saw were images of chiseled bodies, perfect abs, and women doing 100 burpees in ten minutes.”

While the research notes that not every young user who spends time scrolling reports the same problems, it also suggests that many link their self-esteem issues directly back to Instagram. In one survey of U.S. and U.K. teens, 40 percent reportedly said they started feeling “unattractive” around the same time they started using Instagram; about 25 percent said it made them feel “not good enough.” Many said that using the app created anxiety around friendships and social activity, but that many teens are “unable to stop themselves” from logging on.

What’s especially discouraging, though, is that Facebook publicly downplays Instagram’s potential for making people depressed, even though it has the data. “The research that we’ve seen is that using social apps to connect with other people can have positive mental health benefits,” CEO Mark Zuckerberg told Congress in March of this year, while in May, Instagram head Adam Mosseri said adverse effects on adolescents’ well-being were probably “quite small.” One in three teen girls isn’t an insignificant portion of users, though it is a strong argument against the forthcoming Instagram Junior. Nobody asked for this, and per Facebook’s own data, it seems no one needs it, either.

Click here to read the full article on The Cut.

Asmongold opens up on mental health struggles in candid Twitch stream

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During a stream on September 11, Asmongold shared a candid moment with viewers where he discussed his struggles with mental health and suicidal thoughts.

By Bill Cooney, Dexerto

During a stream on September 11, Asmongold shared a candid moment with viewers where he discussed his struggles with mental health and suicidal thoughts.

Asmongold is one of the most popular MMO steamers on Twitch, but recently opened up to fans about the struggles he’s had with mental health as a result.

When a user donated and asked if he’d ever “felt like Reckful (who took his own life in 2020) unironically.” Asmon gave an honest answer that initially concerned fans before the streamer provided reassurance.

“‘Do you ever feel how Reckful felt unironically?’ I probably shouldn’t say this, I’ve wanted to kill myself many times, yeah, absolutely,” Asmon revealed during the stream.

If you check out the chat while Asmon was saying this, there is an outpouring of love and support for the streamer, but at the same time worry for the concerning comments from viewers.

“What a f***ing segway,” Asmon added. “Yeah, many many times, I’m just too much of a p****y to do it, don’t worry about it I’ll be fine, I’m not going anywhere.”

His chat was, as we said, more than supportive after the streamer made these comments, but they still caused plenty of concern among fans. However, he said it was something he’d been wanting to talk about for awhile, and would be making changes to his stream in the future.

“I’d like to take down some of the super high energy stuff I do, and just try to have a little bit more of, just me,” Asmon said. “Not a bunch of crazy bulls***t, not a bunch of weird showmanship, just me. Just me streaming us having fun together, and relaxing.”

Mental health has become a huge issue not just on Twitch, but with internet personalities and creators as a whole. Asmon certainly isn’t alone in his struggles, either, so if you happen to tune into him in the near future, be sure to show the WoW OG some love.

Click here to read the full article on Dexerto.

Zendaya says she prioritized her mental health while growing up in the spotlight

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Zendaya said that the pandemic led her towards feeling persistent existential sadness

By The News International

Hollywood superstar Zendaya got candid about her mental health and how she learnt to prioritize it while growing up in the spotlight.

In a sit-down with British Vogue, the Dune actor, 25, spoke about going to therapy and recommended everyone to give it a try as well.

“Of course I go to therapy. I mean, if anybody is able to possess the financial means to go to therapy, I would recommend they do that. I think it’s a beautiful thing,” said the Euphoria actor.

“There’s nothing wrong with working on yourself and dealing with those things with someone who can help you, someone who can talk to you, who’s not your mom or whatever. Who has no bias,” said the former Disney star.

The actor also spoke about how the COVID-19 pandemic and the lockdown that subsequently followed led her towards feeling persistent existential sadness.

“[It was the] first kind of taste of sadness where you wake up and you just feel bad all day, like what the [expletive] is going on? What is this dark cloud that’s hovering over me and I don’t know how to get rid of it, you know?”

Click here to read the full article on The News International.

Selma Blair: Actress says she’s in remission from multiple sclerosis

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Actress Selma Blair has said she is "in remission" from multiple sclerosis.

By BBC News

The 49-year-old American, known for films like Cruel Intentions, Hellboy and Legally Blonde, was diagnosed with the autoimmune disease in 2018.

Blair, who had been left with intense physical pain, told reporters her condition had improved as a result of a stem cell transplant and chemotherapy.

“My prognosis is great,” she said. “I’m in remission. Stem cell put me in remission.”

She added: “It took about a year after stem cell for the inflammation and lesions to really go down.”

Stem cell treatment it is not a cure for MS but can help to stabilise the disease and improve disability, according to researchers.

The star was speaking while promoting a documentary, Introducing Selma Blair, which follows her as she “reconciles a journey of monumental transition” to living with the incurable condition, which affects the brain and spinal cord, causing vision, balance and muscle problems.

MS had left Blair unable to speak properly or fully use her left leg, and she was pictured using a cane to walk up a red carpet after the Oscars two years ago.

Speaking to a virtual Television Critics Association panel on Monday, she said she had been doing well for the last few months after having felt “unwell and misunderstood for so long”, according to People and the Associated Press.

“I was reluctant to talk about it because I felt this need to be more healed and more fixed,” she said.

Click here to read the full article on BBC News.

“CODA” actress Marlee Matlin on making noise

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Marlee Matlin signing during a video interview

By CBS News

She was just 21 years old when she won Hollywood’s most coveted prize – the Oscar, for Best Actress – for her first movie, “Children of a Lesser God.” “You have to understand that I was a girl from Chicago who appeared on the scene out of nowhere,” said Marlee Matlin.

Thirty-four years later, she remains the only deaf person to win an Academy Award, in any category.

“When I won the Oscar,” she told Turner Classic Movies host Ben Mankiewicz, “the community was very, obviously very thrilled, certainly. And then they said, ‘Okay, now what? What are you gonna do for us?’ It was a heavy load.”

Her new film, “CODA,” now streaming on Apple TV, is the story of deaf parents with two children, a deaf son, and a hearing daughter, played by Emilia Jones.

Matlin plays the mother: “It’s about a hearing girl who wants to sing, but she has deaf parents who rely on her to interpret, and they always have.”

Mankiewicz asked, “They want hearing actors as the father and the older brother. And you say?”

“I said, ‘If you do that, if you choose somebody who’s gonna ‘play’ a deaf person, I’m out,'” Matlin replied.

“That suggests to me that, maybe, 35 years after ‘Children of a Lesser God,’ and 34 years after the Oscar, that you’re a little more comfortable making some noise?”

“And in all honesty, I didn’t even think,” Matlin said. “I just said it, I put it out there. Playing deaf is not a costume. We, deaf people, live it.”

For Matlin, “CODA” (the acronym stands for Child Of Deaf Adults) gave her a rare opportunity to work in an ensemble cast of deaf actors.

“It was always sort of as background or, you know, token deaf characters,” Matlin said. “And this time we carried the film.”

“I was envious, and I think my wife was, too, of the marriage [in the film],” Mankiewicz smiled. “Like, that’s what I want, right? That was it. That’s as good as it gets!”

“You could still do it,” Matlin laughed.

“No, we’re good, we’re good,” Mankiewicz assured her.

As the most famous deaf person in show business (and probably the country), Matlin has worked steadily since her debut – feisty on “The West Wing,” funny in an episode of “Seinfeld,” and always game, quickly becoming an audience favorite on “Dancing with the Stars.”

She’s come a long way from the Chicago suburb where she grew up as a deaf child in a hearing family. Her hearing loss was caused by illness and high fevers when she was just one-and-a-half-years-old. “My childhood was so normal,” she said. “I was just so happy to have great neighbors, great schools, great friends, great family.”

“You’re a big sports fan?”

“Yes, I am. Big time! My father and I always watched sports together. You really didn’t need captions to watch sports.”

Her parents enrolled her in a weekend arts program for deaf children, where the camp director cast eight-year-old Matlin as Dorothy in “The Wizard of Oz.”

Click here to read the full article on CBS News.

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  1. Abilities Expo — The Event For the Disability Community
    December 3, 2021 - December 5, 2021
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    January 19, 2022 - November 4, 2022
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    February 17, 2022 - December 1, 2022
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    March 13, 2022 - March 18, 2022

Upcoming Events

  1. Abilities Expo — The Event For the Disability Community
    December 3, 2021 - December 5, 2021
  2. City Career Fair
    January 19, 2022 - November 4, 2022
  3. The Small Business Expo–Multiple Event Dates
    February 17, 2022 - December 1, 2022
  4. CSUN Center on Disabilities 2022 Conference
    March 13, 2022 - March 18, 2022